You are here: Home » Business
Archives: Business
Struggle of the Dongria Kondh people: The media blackout continues
• Date published: August 15, 2010
On August 10, a frantic message landed in the mailbox of members of a Facebook group called Save Niyamgiri. Two leaders of the Dongria-Kondh tribe’s resistance to a controversial mine in Orissa’s Lanjigarh were said to have been abducted, and had subsequently gone missing. The two men were reported to have been ambushed at the base of the hill range where they live, bundled into a vehicle at gunpoint, and driven away. They were not being held at local police stations, Lanjigarh or Muniguda. A third person accompanying them was left alone.
HERE'S AN ENCOURAGING UPDATE
This is one of India's most blacked-out stories
• Date published: March 9, 2010
It ought to be counted as one of India’s most downplayed stories of the day. It is about the struggle to save an ecosystem called Niyamgiri in Orissa from mining, deforestation and devastation. It is about indigenous people and the rights over their land.
Vedanta Resources, a stinking rich British company owned by NRI Anil Agarwal, intends to dig an open-pit bauxite mine in Niyamgiri. This mine will destroy the forests on which the Dongria Kondh depend and wreck the lives of thousands of other Kondh tribal people living in the area. The Supreme Court has given the go ahead for the project, but the battle rages on. Albeit silently. This project, by the way, will also see the death of the centuries-old sacred groves of these people. The Dongria Kondh do not live anywhere else and there are just 8,000 of them left.
Utterly bitterly malicious
• Date published: March 21, 2006
We have a new national pastime these days – humiliating our heroes, degrading the very people who have done our nation proud. If the jeering of Sachin Tendulkar by the lumpen scoundrels of Mumbai masquerading as cricket fans wasn't enough, the takeover mafia of Gujarat has done a moo de grace by hounding out Verghese Kurien.
It is all fine, some might say. The old order must certainly changeth. And it must just as certainly yield place to the new. You cannot fault the contention – it is the law of nature. But you can drill holes in this contentious argument when it becomes a ruse – when you seek refuge in the laws of nature to serve your pernicious wishes. Subterfuge it was the way the Gujarat Cooperative Milk Marketing Federation debased the very person who made it the biggest cooperative marketing success story in the world. It is fine, the old-fogey order must change. Pal, we are a nation of young people aren't we?
I feel betrayed by the Indian government, says Muivah on Manipur visit
For a man on a mission of reaching out to his people, the National Socialist Council of Nagalim (NSCN) general secretary has been a busy man. The backdrop of talks with the Indian government makes Thuingaleng Muivah busier still. But he doesn’t keep you waiting. He doesn’t keep you waiting because he is not the kind.
The glint in his eyes is unmistakable, as he comes forward to greet me. As he exchanges pleasantries, it is evident he doesn’t forget things. He recollects my interactions with him long before the NSCN signed the ongoing ceasefire with the Indian government in 1997.
You don’t expect such a man to forget his homeland, much though he may have been away for years at a length. And he couldn’t forget his own home either. So the home front is what we start talking about.
The Poetry of Cinema
“We have reached a time when we must open warfare on mediocrity, greyness and lack of expressiveness and make creative inquiry a rule in cinema.”
His oeuvre rests on this simple rule, which lies framed in his study. On the wall opposite is a poster with a pigeon nesting on tangled strips of film. And for Buddhadeb Dasgupta, too, his concerns zoom through the mesh of life to explore the inexorable truth of life and living.
But, as Dasgupta himself says, “If creative inquiry is a rule for cinema, then a filmmaker never makes one in expectation of an award. But when one gets one, the feeling is good.” And this reaction comes after his latest cinematic essay, Lal Darja, was adjudged the best feature film for 1997.